Tag Archives: harmony

Shils Open Mic 12/30/14

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12/30/14. Last open mic of the year, and the lineup of talented artists was inspiring to say the least. The attendance was excellent, and this momentum must continue thus! Here we come 2015, see you on the 6th!

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I played a few songs to initiate our art-fueled ceremony, including:

Breathe (original)
Friday I’m in Love (The Cure cover)
Homeward Found (original)
All I Need is the Air That I Breathe (The Hollies cover)

First up in our proverbial domino effect of talent, was Thomas. I’d heard him play before, and was met this time with the same alt-rock style that I remember. His sound takes me way back to the 90’s, a wonderful yet confusing time for all. It rings with a grunge/punk sound that I just love. I am a big fan of the dissonance he utilizes here:

Next up, the triumphant return of Rabia Waters. This was their second time at Shils, and their second time performing on stage. Marvin intensified the crowd once again with his flawless guitar playing, accompanied by his great vocals, kept packed tightly by the flailing sticks of his drummer, Kevin. Check them out:

Third on our list, was an immense talent in the way of Janene Otten. She hosted the Mic before passing on the torch to me, I was so glad to have her grace our stage again. She didn’t have her acoustic, and so had to borrow an electric from a friend. I had never heard her on electric, so I was stoked. Her voice contains so much power and subtlety.

Next we had some guys that I’ve heard before in different facets, with different bands and such. That night, they came together to form Space Jump Live!. There really isn’t anything needed to be said about these guys, beyond the fact that they absolutely rock. Their high energy met with their groove, and got the crowd moving. Good ol’ clean rock. Check it:

The lineup was going perfectly, and we were next met with Alex. He brought a blend of fingerpicking, with a hint of slapping and a control of vocals not often seen. Soft at times, and powerful at others, it was evident that he really had a grasp on his craft. I love the soul of his voice. Oh, and as you’ll see in the next post, he is a phenomenal drummer. Listen to a brief clip:

Our sound engineer that night was Christian. He is a fantastic talent when behind OR in front of a soundboard. He did a few songs, beautifully ethereal and ambient, with accompaniment from his iPhone, which Tara used when they came together as The Musical!.

In this clip, you will hear him accompanied by Alex on drums:

And here he is, along with Tara:

She padded his playing very ambient pads, powerfully driven by a tiny iPhone. Don’t you just love technology?

With two more acts to go, we welcomed one of my faves, Andy Sydor. He came up and told us stories with his voice, as I’ve said before Harry-Chapin-esque in nature. I really love to watch this guy perform. It’s just one of those feelings, when you see someone where they are supposed to be.

Last but not least, an old friend stopped by that I had not seen in more than a decade. She has recently entered into the world of singing/songwriting, and I was excited to have her and her partner perform for the first time on our stage. Here is Therapy, with Karen and Tim. They were great, and I can’t wait to be a witness to their progression.

What’s more to be said besides the fact that the night was PACKED with talent. Filled with beautiful people sharing their equally beautiful art with us. Taking it from their souls, and putting it into the world. There is nothing better than that. It is to show one’s true self, and I get to be witness to it, and I am perpetually grateful for that. I am where I want to be, and that is the most important thing in life.

Rick Rocker got called to into the line of duty, and had to run out before he got a chance to grace our stage, but he managed to get in a win against Andy in Foosball, much to the chagrin of Bobby Bocher’s mother.

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Thanks to Rusty and The Shillelagh Tavern for having me host, and to Christian for doing an excellent job behind the soundboard. It was a great night.

Light and Harmony.

-Owls for Olive

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Merry New Year

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2014 has presented me with times both turbulent and grand. It was a year of loss, of self discovery and learning. It was one of the most difficult in my years on this most beautiful blue-green ball. I try to make every tomorrow just a little better than today. It works most of the time, but there is much to be learned from the days when it does not. And with that I say:

Happy New Year, world! I hope this coming year can bring everyone peaceful, fulfilling times. Feel light, be joyful. Create harmony and art. Tell someone you love them. Make them laugh. Tickle a baby and cuddle a puppy/kitten. Look, but really look at a tree and feel the connection we all share. Let’s shift the world paradigm away from the shroud of negativity we’ve fallen under. Eat, drink and be careful. Love you all.

Here’s to making 2015 better than 2014 could have imagined.

Light and Harmony.

-Owls for Olive

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Holidays, X-Mas, War, Lennon, Ono and Peace

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I hope everyone out here had a peaceful holiday season, whatever faith you may follow (even if none). I got a few gifts, gave a few gifts, and saw some family that I hadn’t in a while. Feeling I had still more to give, I decided to record this cover of a song from a man who’s message, words, and inspiration will live on long after we all are gone. Here I give you Happy X-Mas (War is Over), by John Lennon and Yoko Ono. I hope it fills you with the same hope and love I feel when I hear it.

I envision that one day this song will cease to be Christmas specific, and one we will sing in celebration of the fact that there is no more war. Imagine.

Light and harmony

-Owls for Olive

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Show at Astoria Beer and Brew 12/19

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Astoria Beer and Brew. An unassuming little spot in northern Queens, nestled comfortably in the grand shadow of the Triboro (RFK) bridge. You walk into this place and you are immediately drawn into its intensely chill atmosphere. The industrial/vintage style decor lends a hand at creating an environment that is both extremely inviting and interesting. The proprietor of this fine establishment, Rodrigo, is (with a simple yet perfect description) a great guy. He really cares about his place, and its patrons. He cares about the acts that he has perform there as well. They have delectable food to accompany the wonderful selection of wines and brews. You should make a pilgrimage at some point to check us out, if it’s while I am performing or not is up to you :).

I’ve been playing here regularly, solo shows beginning back in June when I played as part of the Make Music NY Festival running that weekend. I immediately fell in love with the place. The love seemed reciprocal, as Rodrigo asked me to play there every other week from then until basically whenever. I have been playing there almost to that exact frequency since then.

The sound at this place is fantastic, in fact all but one of my YouTube videos were filmed there (using a cellphone camera for lack of something better). Even through a cellphone mic, the sound is phenomenal. Check out some vids here:

Owls for Olive YouTube

I played a show last Friday night, and it went incredibly well. I went through my tunes without a hitch, and kept the crowd engaged the entire time. The harmonies and guitar melodies were flowing in rivers, converging into a wonderful mix aided by the JBL system that is concealed within the room. It seems as if the sound is coming from everywhere. It is really something to be heard.

Here’s my set list:

First Set, Electric

We Are Going to be Friends – White Stripes
Kids – MGMT
Breathe – Original
A Million Years – The Grass Roots
Homeward Found – Original
Norwegian Wood (This Bird Has flown)- The Beatles
Demons – Imagine Dragons
Almost Enough – Original
All I Need is the Air That I Breathe – The Hollies
All of Me – John Legend
Speak Your Name – Original
Hallelujah – Jeff Buckley version
Friday I’m in Love – The Cure

That set finished off so sweetly. I sing the cover of Friday 3 steps above the great Robert Smith (capo on the 6th fret), in a soft falsetto. This is a complete juxtaposition to the previous song, Hallelujah, which is filled with emotional rasp, and some powerful wailing.

The second set, which is Acoustic went as follows:

Riptide – Vance Joy
I’ve Just Seen a Face – The Beatles
Play Pretend – Original
Melt With You – Modern English
Your Pride – Original
Who Did That to You? – John Legend (Django Unchained Soundtrack)
This Year’s Love – David Gray
Hard Truths – Original
Jealous Guy – John Lennon
Come on Home – Original
Harvest Moon – Neil Young

I love the rise and fall of this set, the wax and wane. Some songs are so soft and would lull the crowd, only to jolt them awake with something like “Who Did That to You?”. I like my sets AND my music to contain crescendos. Since it was Christmas, I wanted to do two sing-alongs, and thus began my favorite part of the evening. I played two covers:

Merry X-Mas War is Over – John Lennon and Yoko Ono
O Holy Night – Traditional

I never expected to have such a group of singers in the crowd. Rising harmonies, powerfully bouncing about everywhere, and people really feeling connected. The background to War is Over were excellent, alternating with my lead vocals. I got chills by the each time we hit the chorus on O, Holy Night. It was spontaneous, and real. It was wonderful. It is why I do what I do.

The night completely warmed my heart, and made this, my last show of the year, quite possibly the best show I’ve ever played. Thank you to Astoria Beer and Brew for allowing me to grace their wonderful establishment. You are a good man, Charlie Brown (Rodrigo Urbierta).

Check out A B&B at 21-76 21st Street, Queens, NY 11105. They are off the corner of 21st and Ditmars. You won’t be disappointed at this Astoria gem.

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Studio Mascot

pikaThis is my cat Pika (peek-a), who shares a blatantly obvious cuteness with the infamous Pokemon after whom she is named named. She likes to lay in my studio when I’m writing or working on music, staring at me and thinking evil thoughts. She’s around 14, but is still every bit the fussy, demanding, attitude-laden kitten she’s always been. Needless to say I love every bit of her little guts.

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Open mic success!

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Three weeks ago I began hosting an Open mic @ The Shillelagh Tavern in Astoria, Queens. Although I typically have a good turnout at my shows and know many musicians, attendance was lacking for the first two weeks. There were literally but two performers each time. This brings me to this week. This week, I decided to (for lack of a better idiom) grab the bull by the horns. I began posting everywhere. Openmics.org, Craigslist, as well as many groups on Facebook. I sent out a mass message to all the musicians I know. This took hours of work and the following cliche phrase applies here; hard work in fact does pay off.

The night was an astounding success. All in all we had six amazing performances (besides my own), each one shining brilliantly in their own way. To kick it off I played a few songs on my acoustic. I’ve Just Seen a Face by The Beatles, Kids by MGMT, Carry Me which is an original and Happy X-Mas (War is Over) by John Lennon and Yoko Ono. I was, after all, feeling all Christmas-y. That was when the real fun began.

The second performance of the evening featured Rabia Waters. Marvin Marker on vocals and guitar, backed up by Kevin Orellana on drums. This was their first performance together, but you would have never been able to tell. He made his Strat sing high into the ceiling, dancing with his warm vocals and the perfectly subtle drum beats coming from behind. I got that good feeling when one knows something is going to turn out well. I don’t have photos or videos of their performance, but I am awaiting some and will put them up if/when I do.

Next up we had Nate Laze. We set him up, got his Ovation mic-ed and waited. What followed was a mixture of soulfully soft vocal melodies combined with fantastic guitar playing. Check out a clip below. I was blown away. 2 out of 2, I thought, not bad.  I had a feeling that the rest of the night would play out just as grandly, and soon found out that it would.

Here is a brief clip of Nate:

Yeah. He’s great.

After Nate, we had Terry Edelman who fronts the band The Lost Kingdoms. Please visit their FB page, and check out their tunes. Another fantastic performance. Great fingerpicking skills – perfectly soft – along with the immense vocal range put the audience into a peaceful ease; bringing back the power at just the right moment. He showed tremendous control of his vocals, evident in this clip:

The audience was very obviously connected to his performance.

So that brings us to number 4. I have to admit, I knew that Kyle Horn was coming. And I also knew that in that, I had a ringer for the audience. I’ve heard him before, so I knew what was in store for them. I won’t say much about him, I will let the clip speak for itself.

Actually, no. I will say some words. This guy is amazing. He plays in an Andy McKee style, tapping, slapping, strumming and hitting frets all over the place. It is just insane to watch him do his thing, with seeming ease. At times it seems impossible that within the blur of his hand so many different things are happening. He stepped up with his Martin with the strange pad above the strings next to the pick guard (necessary for his playing style). He plugged in, said some funny shit and then proceeded to make everyone’s jaws drop for the next few songs. Do yourself a favor and listen to this clip, and then visit his website for more.

He should be at the next Open Mic night, and has several shows coming up. If you want to hear him, which you most definitely should by now, get down to one and hear him. He’s one for the ages.

Thinking it couldn’t possibly get better, the night rolled along smoothly with one of my Astoria favorites, Andy Sydor. That’s ‘see’door’. Don’t get his name wrong, or you may suffer his wrath. Only there is no wrath, only a gently drawing voice that’ll have you wanting him to play forever. He has that authentic folk-y feeling that I love, for me a sort of Harry Chapin vibe. I could listen to him all day. Here is one of his originals. Andy will typically be at this Open Mic, another to be heard. Also, He kind of looks like Santa Clause (sorry Andy) ;).

That brings us to our final performer, Rick Rocker. Rick is another act I’ve heard a few times prior, so I knew what he would deliver; a high energy, crowd interacting performance. He gets everyone clapping along, feeling the music along with him. His originals are inspiring, and his covers take on lives of their own with his own arrangements. You should give him a listen, and even more see him live. He puts on a great show. You can check out his music, upcoming dates and links @ his site.

The night was phenomenal. So many great acts, and what an atmosphere. I can only hope that any of the Open Mics I host from now are even close to the caliber of this past Tuesday. It felt good to be a part of such a wonderful group of musicians, and I cannot wait for it to happen again.

I don’t want to forget to thank Miles and Rusty. Miles is the sound engineer, and he takes a lot of time shaping the sound, making everyone sound their best. He is truly a one-of-a-kind guy, both in and out of the sound booth. One of the nicest guys I’ve met. And Rusty, good ‘ol Rusty. Rusty books the gigs for the venue (if you are interested in performing there just ask for his information in the comments). He is a guy, again for lack of a better idiom, who always tries to do the right thing. He also keeps the drinks flowing behind the bar, and is a great personality. You can’t help but to like the guy. I dare you to try.

Thank you for taking the time to visit my blog. I hope to have you back again in the future.

Light and Harmony

-Owls for Olive

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Harvest Moon (Neil Young Cover)

It’s Sunday. It’s cold here in NYC, we’ve got the wind blowing in from every direction, somehow from both above and below. But you know what always warms me up? Neil Young’s Harvest Moon, that’s what! Enjoy 🙂

Light and harmony.

-Owls for Olive

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